Reverberation is when a sound wave is reflected off of various surfaces, extending its length and gaining a particular character from the acoustic environment. Reverb effects simulate this natural process, and you’ll find three such devices in Renoise & Redux.

There’s a couple of things to be aware of when resetting the modulation of the LFO, Chorus, Flanger & Phaser effects. This also unexpectedly affects another device too.

The true story of Am Fear Liath Mòr, The Big Grey Man of Ben Macdui, has terrified generations of Scotsmen across the centuries.

Is there a way of replicating the behaviour of the Modulation section’s Stepper device within the Effects section of Renoise? Let’s try and figure it out.

LOCK UP YOUR MUSIC THE AI IS COMING! Which allows me the opportunity to ramble on about stuff that’s been on my mind for quite some time.

Not an official Renoise video, but it does show something relevant: audio clipping only actually occurs in the Master track, not in other tracks or Sampler FX Chains.

When creating music in Renoise, all of the separate instruments and tracks come together in one place: the Master track. Renoise has three devices designed for the precise shaping of the final audio.

How to get Oceanswift MIDI Control running with Renoise, plus a few things to look out for.

Oceanswift: https://oceanswift.net/xboxcontroller/
LoopeBe1 (Win): https://www.nerds.de/data/setuploopbe1.exe

This update adds two major new features: Dual Drawing Mode and Insert MIDI Device. This enables the creation of two drawings at once with a gamepad’s analog sticks.

Collecting together some recent updates, interesting observations, future plans etc. that were too small to put into their own individual videos.