Normally you’re stuck using the start timing of a sample that’s imposed by the waveform itself. This video looks at another method of making the timing both random and automatic. The song created in the video is available for download.
Being able to play certain sounds as a ‘One Shot’ is an old solution to an old problem: sometimes samples, usually drums, need to ignore Note-Off events and simply play through the entire waveform. While having such an option is useful when playing or recording live using the computer keyboard, it is crucial for hardware controllers that are designed only to be struck briefly.
Normally you’re stuck using the start timing of a sample that’s imposed by the waveform itself. However, this video looks at one method of making the timing both random and automatic. The song created in the video is available for download.
Reverberation is when a sound wave is reflected off of various surfaces, extending its length and gaining a particular character from the acoustic environment. Reverb effects simulate this natural process, and you’ll find three such devices in Renoise & Redux.
There’s a couple of things to be aware of when resetting the modulation of the LFO, Chorus, Flanger & Phaser effects. This also unexpectedly affects another device too.
The true story of Am Fear Liath Mòr, The Big Grey Man of Ben Macdui, has terrified generations of Scotsmen across the centuries.
Is there a way of replicating the behaviour of the Modulation section’s Stepper device within the Effects section of Renoise? Let’s try and figure it out.
LOCK UP YOUR MUSIC THE AI IS COMING! Which allows me the opportunity to ramble on about stuff that’s been on my mind for quite some time.
Not an official Renoise video, but it does show something relevant: audio clipping only actually occurs in the Master track, not in other tracks or Sampler FX Chains.
When creating music in Renoise, all of the separate instruments and tracks come together in one place: the Master track. Renoise has three devices designed for the precise shaping of the final audio.
